Christian Louboutin has expanded his collection of nude shoes into a range of skin tones, not just the pale beige that’s actually only “nude” for a small sliver of the world’s population. The label now offers ballet flats in the expanded colors alongside its signature pumps. That’s one small step in the right direction — barring the fact that these shoes are still $600. Still, as with so much else in fashion, where a big name goes the rest may follow.
As a color, “nude” is often loaded with prejudice. In theory, it matches the wearer’s skin color, which makes it easy to pair with just about anything. It’s a wardrobe staple, and therefore a commercial staple for most shoe brands. But in practice, it commonly describes variations of beige with pinkish undertones, which is only… via […]
Zootopia continues Disney’s time-honored tradition of using animated creatures to talk about something else, whether it’s covering….Hamlet with lions or depression with walking, talking emojis (I’m talking Lion King and Inside Out here, in case you couldn’t tell). But Zootopia manages to do a little more, by drawing a charmingly insightful view of the world that still manages to talk about the prejudice and stereotypes that plague us.
Are you in it for the animal puns and inventive world-building? Sure. There are little sparks of pleasure throughout the entire movie, as the animators recreate familiar technology in an “evolved” world where animals, predators and prey, live together in a modern metropolis. How would subways accommodate both giraffes and hamsters? Do rabbits facetime? Are leopards pop-star fanboys who know how to use apps? All of your questions will be answered. (Bonus: this makes the film’s address of bigotry, racism, and prejudice even more compelling, as there’s a clear parallel drawn between Zootopia’s world and ours).
Its main character, Judy Hopps, is an amibitious young bunny bent on becoming the first police officer of her species. To do so, she works twice as hard as anyone else, insisting that she’s not just a “token.” She is a creative problem-solver who works collaboratively, respects her friendships, and knows when to acknowledge her own mistakes and shortcomings. She’s a great cop who got there mostly by the dint of her own hard work, but also through the love and support of her community. She is defined more by her ambitions than anything else (and thank god there was no love story in this movie, because how would that even work…?). My cynical heart swells thinking of the young girls watching this movie who will absorb this film’s subtle, but strong message about the potential and abilities of the underestimated.
But Zootopia is more than a girl-can-do film, and its address of bigotry is what makes it one of the best and most important movies Disney has put out yet. In the beginning, Judy’s naive worldview presents Zootopia as the harmonious, “race-blind” melding of two distinct classes of animal: predator and prey. Part of her journey is through the disillusionment of that idea, and toward a concrete plan of action to remedy it. There are forces at work in the city who feed off of the distrust and prejudice that still surround “predators” and their unavoidable “biological instinct”—an early lesson for young viewers in the insidious power of coded language to shape public opinion, as Judy also learns. Through Judy’s friendship with the street-hustler fox Nick Wilde, she learns what it means to confront the lingering animosity between “predator” and “prey,” and how to forge a strong friendship from this unlikely, but very effective, partnership.
The film is also seeded with references for the adults or particularly savvy kids—like how the “nighthowlers” drug can be seen as a parallel to the crack epidemic, or how Judy tells another animal that bunnies can call other bunnies “cute,” but if another species does it….(you can almost hear the n-word echoing in the background). Zootopia depicts how quickly people (or animals) can fall into the traps of fear-motivated thinking, how bigotry and racism feed off of misinformation and fear. It also shows how much is lost when one’s world is circumscribed by these prejudices. And it does so in terms that both children and adults can understand and use to discuss racism, bigotry, and prejudice in the real world. That is a refreshing antidote to the hate-mongering and racism being peddled by election frontrunners—and the positive reaction to Zootopia bespeaks more than just our love for cuddly animals. Is it perfect? Probably not. But it brings the problems of bigotry right to the front and center. That’s a hell of a lot more than Disney movies used to do. We need more children’s movies like this, which are driven by interesting storylines and use world-building to open up discussions about the pressing problems of our own world.