This is a bit of an anomalous situation, but once…my sister and I were on a horseback riding tour in Wyoming, and somehow it was just the two of us with the guide. He was a typical white cowboy-type, kind of dashing in his way, until he opened his mouth to say, ‘What are you guys?’ (Humans?) In this situation, where we were literally in the mountain wilderness alone with him, how sassy could I afford to be? So I just replied, ‘We’re Chinese-American.’ He seemed perplexed for a second before relaxing. ‘Cool,’ he replied. ‘I love sweet and sour chicken, I eat that all the time at this place in town.’ Was this a strange flirtation attempt couched in the language of…food? What was I supposed to say, ‘I’ve eaten mayonnaise before and it’s pretty good?’ Here’s a hot tip: don’t treat someone’s ethnicity as something edible. If you have to reach that hard to find something with which to connect, just use, you know, your shared humanity.
by B.C.
[to] customer service guy, fun fact: my race is not a conversation starter and I don’t care that your ‘best mate’ is getting married to an asian girl.
When I posted this status on Facebook about how a customer service rep unnecessarily remarked on my race, I was kind of surprised by how it blew up with ‘likes’ and comments — but also not that surprised.
Among my friends, including those on social media, it’s pretty common knowledge that these types of comments are unwarranted. But I was reminded that it’s not common knowledge for everyone.
To backtrack, I was at a Verizon store getting a phone upgrade. This guy was helping me along and we were making typical small talk. Then, out of nowhere, he asked if both of my parents were Asian. I was unsure of where he was going with this but answered, yes, only to have him tell me he was surprised I didn’t have an accent.
As those words left his mouth, I felt myself cringing. Really? Did you really say that? I told him, politely, that there are lots of Asian-Americans like me without accents and that his comment was a little offensive.
He seemed taken aback, shocked, even; he immediately apologized and said he didn’t mean offense. Okay, I thought, well good. Glad that’s over. But then he continued the conversation by telling me that his best friend was marrying an Asian girl, as if that were a way to redeem himself.
As it to convey, hey, I’m a nice guy. I didn’t mean any harm. My best friend likes your people, so I can relate and it was okay of me to say what I said. I wasn’t so much upset as I was flummoxed by his cluelessness. He was only making things worse without even realizing it.Continue reading ““What Are You?”: Let’s Talk About Asian-American Encounters”
Our collection of thought-provoking, discussion-sparking reads.
How ‘Empowerment’ Became Something for Women to Buy: “[Sheryl] Sandberg and [Kim] Kardashian are perceived by most to be opposites, two aesthetically distinct brands fighting for our allegiance, when each has pioneered a similar, punishingly individualistic, market-driven understanding of women’s worth, responsibility and strength. In the world of women’s empowerment, they say the same thing differently: that our radical capability is mainly our ability to put money in the bank.”
Who Disrupts the Disruptors? We Need to Change the Way We Talk About Innovation: “The culture of disruption’s American Dream 2.0—where you can both be the man and claim to be sticking it to him—glosses over the fact that the type of innovation venerated by disruption culture often works to keep white men in positions of power and strengthens our relationship to instant-access consumerism. More importantly, it lacks critical engagement with the processes of disruption and the values being advanced by those we call disruptors.”
What ‘white folks who teach in the hood’ get wrong about education: “There’s a teacher right now in urban America who’s going to teach for exactly two years and he’s going to leave believing that these young people can’t be saved,” says Dr. Chris Emdin, associate professor at Columbia University’s Teachers College. “So he’s going to find another career as a lawyer, get a job in the Department of Education or start a charter school network, all based on a notion about these urban youth that is flawed. And we’re going to end up in the same cycle of dysfunction that we have right now. Something’s got to give.”
Teaching Men to be Emotionally Honest: “As men continue to fall behind women in college, while outpacing them four to one in the suicide rate, some colleges are waking up to the fact that men may need to be taught to think beyond their own stereotypes.”
More Than One Medical Student at UVA Believes Black People Don’t Feel Pain: “The researchers found that half of the sample endorsed at least one of the false [medical] beliefs [about black patients], and those who endorsed these beliefs were more likely to report lower pain ratings for the black vs. white patient, and were less accurate in their treatment recommendations for the black vs. white patient.”
Christian Louboutin has expanded his collection of nude shoes into a range of skin tones, not just the pale beige that’s actually only “nude” for a small sliver of the world’s population. The label now offers ballet flats in the expanded colors alongside its signature pumps. That’s one small step in the right direction — barring the fact that these shoes are still $600. Still, as with so much else in fashion, where a big name goes the rest may follow.
As a color, “nude” is often loaded with prejudice. In theory, it matches the wearer’s skin color, which makes it easy to pair with just about anything. It’s a wardrobe staple, and therefore a commercial staple for most shoe brands. But in practice, it commonly describes variations of beige with pinkish undertones, which is only… via […]
I think it was pretty clear what the choice for this week’s dance break was going to be, especially after Beyonce brought some black-history-month realness to an otherwise bland Superbowl half-time show. In her most politically charged and powerful video yet, Queen Bey brings together Hurricane Katrina’s aftermath, the police state, violence against black bodies, and black excellence in one stunning piece. If you haven’t seen it, I’m not sure what you’ve been doing the last couple of days. If you have, this is a good excuse to watch it again.
“If not even an avowed socialist can be bothered to grapple with reparations, if the question really is that far beyond the pale, if Bernie Sanders truly believes that victims of the Tulsa pogrom deserved nothing, that the victims of contract lending deserve nothing, that the victims of debt peonage deserve nothing, that political plunder of black communities entitles them to nothing, if this is the candidate of the radical left—then expect white supremacy in America to endure well beyond our lifetimes and lifetimes of our children.” —Ta-Nehisi Coates on Bernie Sanders and reparations
Daniel Holtzclaw given 263 years in prison for serially raping and targeting black women.
College application season has ended and admission season is about to begin. NPR brings us a list of ways the admissions process squeezes out poor kids (and one they forgot: standardized test prep classes, which can have a hefty price tag).
Starting off the new year with some good old-fashioned American paranoia!
Via @5thWaveMovie
by E.L.
There is an episode of The Twilight Zone in which a normal American neighborhood is thrown into violent chaos by the appearance of a strange object in the sky. The fear that alien invaders might be masquerading as a human family causes neighbors to turn with suspicion on those they’ve known all their lives.
Like so many Twilight Zone episodes, the true monster here is Man. The lesson is that the enemy’s best weapon is the seed of paranoid doubt we harbor against those closest to us. It is a not-so-subtle commentary on McCarthyism’s hysterical campaign to root out the communist threat by encouraging citizens to denounce their friends and allies.
The communist, like the aliens in The Twilight Zone, is so dangerous precisely because its otherness cannot be easily recognized. Soviet sympathizers can look exactly like everybody else, and the possibility of their presence among us is so terrifying because it challenges our confidence in our own capacity for self-recognition. The identity of friends, spouses, teachers, and politicians cannot be trusted precisely because they look just like us. Familiarity itself becomes suspect as the mask of a dangerous otherness.
The Rabbi who spoke at the White House told the audience that his father came to the United States on the St. Louis, its last journey to the United States before making its famous “Voyage of the Damned.” As Obama said Wednesday night, now, it is other boats being turned away from potential asylum. Thus, as Jews, as people who have ourselves been turned away when seeking refuge, or have been accepted, begrudgingly and with a high tax for being who we are, we must open our doors to refugees, open our doors to the stranger as we are commanded to do each year on Passover.
By S.T.
Wednesday night – which happened to be both the 150th anniversary of the passing of the 13th Amendment and the fourth night of Chanukah – I stood in the White House, listening to President Barack Obama and a Rabbi (whose parents were both Holocaust survivors) talk about the origins of the holiday. Relative to Christmas, Chanukah is minor, but the story fits in with several other Jewish holidays – “they tried to kill us, they failed, let’s eat.” But I was pleased by the serious tone both the President and the Rabbi took; they both talked about the refugee and immigrant experiences of Jews, and how now, it is a different group that is in trouble, a different group to whom we must extend a helping hand. Both leaders drew a connection I often feel, between Judaism and compassion to those in need, and to hear a similar message from my president was deeply moving.
“Shadow” and “Supreme” from Wu Tang Killa Beez | Photo cred: Yahsure Wright from SkinnyHeadTv
By B.C.
Supreme of the Mighty Wu-Tang Killa Beez grew up in the struggle. His father, known as D.C., was prominent in the Black Panthers Party, a Black Nationalist and revolutionary organization pivotal in the Civil Rights Movement. D.C. was instrumental in structuring the widely-known “Free Breakfast for Children” program. This fed thousands of poor inner city kids throughout the country and eventually got the FBI’s attention. They halted the program because they saw the Black Panthers as a threat to internal security.
“[My father] basically got told by our government to shut up. They did that in a way that was pretty bad,” recounts Supreme. “Some people basically entered our house and I was the one who was threatened because I was his only child. So it was like, Shut the f–k up and take this job and retire or else. That’s the other side of the government that people don’t know about.”
The West Coast Wu-Tang producer-turned-rapper says his dad had to make a choice and live under the radar. When Supreme was twelve, his dad told him that if he wants to speak the truth, he either has to be willing to die or go to prison. But that didn’t stop Supreme from lecturing, marching, fighting and “empowering the people.” The rapper has a business degree from UC Berkeley and is soon releasing an album that addresses serious social issues, including racism.
Supreme is finalizing tracks on his album and recording some music videos in Cincinnati, Ohio. Earlier this year in July, unarmed black man Sam Dubose was shot by white Officer Ray Tensing in Cincinnati. Tensing was indicted but is still waiting to go on trial, which should be happening next month. It seems almost serendipitous that as Supreme works on his music here, the trial is upcoming and expected to draw national attention as the shooting and indictment did. I spoke with Supreme about his new project and making the choice to not shut the f—k up:
ACRO: Tell me about your new project:
Supreme: This new project is called “Supreme Life Volume 1.” We’re gonna drop the album in the spring. It’s done but we’re just mixing down and mastering. It’s going to be a set of three albums. The first album is predominantly hip-hop and rock. The next album will transition into more rock. It’s the first album on Wu Rock, the new label that I created, which will be another branch and continue the legacy of Wu Tang. It’s pretty high energy. It’s geared for performance; it’s geared for stage. It’s geared to incite the people to learn, to seek, to open their minds and hearts, and it’s geared to ultimately unite the people through the music and to address issues and to heal. That’s what our mission is. We say Wu Tang is for the children. It’s for the people. It’s for the masses. It’s about the human family. We’re trying to get out of racism and classism and gender issues and biases and get people back down to the basics of humanity, love and peace.
Can you talk about one track you’re working on that highlights all of this?
I have a track called, “White Man.” It’s a song that is greater in content than “Fight the Power.” I won’t say it’s a greater song than “Fight the Power” because all respect due to Chuck D, to Flavor Flav, and to Public Enemy as a whole. That song definitely inspired this song. We came from that. So it’s no disrespect to our elders and to our mentors, our predecessors. We can say the white man this, the white man that, but we have become that which we hate. We have become our own slave masters. So this is what “White Man” is really about. We got classic Wu-Tang stuff. We got stuff that’s entertaining. But we want to address issues. Yes, we did go through slavery. Yes, we are affected by slavery. Yes, there is still slavery today. Yes, there is racism and biases and ignorance, but there still is no excuse [for our own actions]. We’re going to be responsible for self first. These are the things we need to rectify and correct first. Black Lives Matter, you f–king right they do. Why do Black Lives Matter? Because black lives are human lives.
So you’re here in Cincinnati where in July, unarmed black man Sam Dubose was shot by white officer, Ray Tensing. Do you have anything to say about this case?
It’s a tragedy in every sense of the word. Our love, our respect and our prayer go out to the family of not only Sam Dubose but Officer Tensing. Just because a white officer shoots a black person doesn’t mean his family or friends support him; they’re affected by that too. They’ve had a lot of white people fight and die for black people. [However], the fact that [police brutality] is tolerated, the fact that [Tensing] even had it in his mind that it was okay to take another person’s life, regardless of race [is the problem]. Was race a factor? You’re f–king right it was. And you can’t deny that, because he’s had issues and encounters with Caucasian people and he didn’t shoot them. He knows and everybody in the United States and world knows right now what’s happening — how many thousands of black men are getting killed. They know what they’re doing. Why are they putting black men and men of color in jail? But the root of it all is the fact that it is condoned. It’s tolerated. It’s accepted. It’s overlooked. We need to go to the root of the issue and until 350 million correct 8,000 people in power, nothing is going to change. Until people fix this and rectify this in themselves, [nothing will change]. Marching. We’ve been marching. What does that do? These people been killing us and they’ve been getting away with it. The reality of justice in this country is the reality of what has transpired in each individual case. We’re already geared and programmed to expect this guy to get off.
How do you want to address this kind of police brutality through your music?
I was in an organization called Copwatch. I went to UC Berkeley. I had a group back in the nineties called Black Underground Movement — the BUMS. That was before we did the Wu-Tang jump-off. [Cops] shot their 15-year-old kid at the BART Station in 1991 or 1992 for a [having a] Walkman. [The cop] said he had a gun and saw a flash and shot him. He was 15 and had a Walkman. Jesse Jackson came out. We performed. [Jackson] spoke. Nothing happened. What can we do with our music to curb this? We can correct it, speak out against it, educate people against it, confront people with it and convict people. The same issues that we’re facing are the same issues that have been transpiring not only now but a million years ago. We’re occupied! We’re occupied by Europeans. This land belongs to the Native Americans and the Mexicans. We’re in an occupied country but people can’t see. Why is it taking us dying to wake up? We just came out of slavery. Women just got voting rights. People are still getting hung. This sh-t is still here. Music is the universal language so we’re going to utilize music to lead a vehicle and be a medium for us to get to the people, man. Because everybody responds to love, everybody gets hungry, everybody hurts, everybody cries — we’re all one and the same.
A great mind-opening piece about the possibilities, limitations, and exploitative dangers of creating indigenous curricula within historically colonial scholarship.
acromag.wordpress.com 