Getting Angry at Strangers

Over the course of my late twenties and now into my thirtieth year, I like to think I have become increasingly confident and assertive.  There is one area, however, in which I still find myself feeling helpless and inadequate: I have not learned how to effectively communicate anger.  This is particularly the case in situations in which it is appropriate for me to express anger toward someone I don’t know.  I have recently gone through two minor ordeals, one of which involved someone trying to cheat me out of a significant sum financially, and the other of which involved someone making a professional mistake that could have physically and psychologically harmed me.  I am not satisfied with my responses in either case, as I think they were governed by the difficulty I have in finding an appropriate way to express my anger.

The first of these occasions was the more mundane; it began with a sudden billowing of smoke from the front of my car as I arrived home one day.  I assumed my car had overheated, and waited till the smoke had stopped before driving it to the nearest auto repair shop.  The mechanic I spoke to that day looked under the hood of the car, and explained to me that one of my radiator pipes was cracked.

As he spoke, the mechanic was no doubt sizing up my petite blonde self, my Bambi-like stare as he explained what he was seeing under the hood, and making fairly accurate assumptions.  My PhD in English literature would not help me here.  When it comes to cars, I conform pathetically to sexist gender stereotypes.  The car mechanic could probably have told me there were unicorns waltzing in my engine and I would have asked the price to have them removed humanely.

But the cracked pipe seemed—and probably was—plausible, and he said it could be repaired for $170, and would be ready that day or the next.  It turned out, however, that he would need to order the part, and thus the process stretched out over five days in which the mechanics were (they told me) waiting for the arrival of the apparently rare and elusive radiator pipe.  On day four, I was informed that the price would double, as the other radiator pipe, it had now been discovered, was cracked too.  I accepted this, mildly annoyed but still basically believing I was being told the truth.

On the fifth day, when I called—and when I was finally able to reach someone who seemed to know what was going on—I was told my car would finally be ready at 4:00 that afternoon.  I showed up at that time, desperate to have my means of transportation back.  Instead, I was told that now that the pipes had been replaced, the mechanics were able to see that the radiator itself had a small leak.  They would need to replace the radiator, which would require them to order one from Indiana and would bring my total up to $1,200.  I still didn’t believe that they were outright lying to me, but I am a graduate student, so I don’t have that kind of money readily available, and I was frustrated at how they’d kept stringing me along. 

Thus—much to my dismay—I found myself overtaken by one of my least attractive habits, Angry Crying.  In such moments, my very dislike of making a scene only makes me more frustrated and makes my crying even harder to stop.  I managed in the midst of this to tell the mechanics that I would pay them the $300 or so for what they’d already done and take my car somewhere else.  I drove off in a car that did not smoke at all, but I was fuming.

My father ended up taking my car to a mechanic he trusted.  That mechanic said that there was absolutely nothing wrong with my car.  Probably the initial radiator pipe had been the only issue in the first place.  But, naïve as it may seem, I was shocked that the first repair shop had tried to cheat me to such a degree.  Car mechanics don’t have the best reputations for honesty, but I still felt amazed that, had I had the money, they might have convinced me to order a new car radiator for absolutely no reason at all.

My car is running fine.  But I wonder why, in moments of deep frustration, all I can do is cry.  It would have been appropriate to express some anger to the men lying about my car, and certainly afterwards to write a scathing review of their business online.  But in those moments when some frustration that has been building inside me slides into anger, that anger always takes me by surprise, and my coping mechanism is a highly ineffective one.

***

The second event made me less angry, though it threatened me with more harm.  It left me for most of a day in bed, sleeping or too tired to move.  I was visiting my parents for the weekend, and that is very, very fortunate.  If I had had to go to work that day, or drive anywhere, or do anything at all, I would have been unable to do so.  I woke up at my usual (early) hour, but right after breakfast I felt exhaustion seeping through me.  Instead of getting dressed, I got back into bed, intending to close my eyes for a few minutes.  Not long afterward, my mother walked past the room, and I made some feeble excuse for not being up.  She laughed it off as me needing to catch up on sleep.  “I feel like I could sleep all day,” I said, perplexed.

Hours passed, and still the warmth of my bed exerted an irresistible pull on my limbs each time I tried to rouse myself.  I was starting to get worried.  My mother kept checking on me, asking if I felt sick, but I didn’t—just bone weary.  I tried to think of some reason for such intense fatigue, assuming it was somehow my fault.  Perhaps I’d accidentally swallowed an extra pill when taking my anti-anxiety medication that morning, though that was not a mistake I’d ever made before. 

Things got worse.  When I dragged myself down the hall to go the bathroom I realized I was stumbling around as if drunker than I’ve ever actually been.  I was dizzy, my vision blurred.  I fell.  My mother found me lying on the bathroom floor, and by then she was worried too.  I heard her speaking to me as if from a great distance, though I couldn’t see her through the stars floating in front of my eyes.  She tells me I asked her “Is that you, Mom?” but I don’t remember this.

It got through to me, as my mother led me back to bed, that she was asking if I wanted to go to the hospital.  I don’t know what or if I answered, but I remember how impossible a feat it sounded to get up, go somewhere, and answer questions.  I slept some more, roused only later by my mother to eat lunch, which I did without noticing the taste.  Finally, in the early afternoon, an idea penetrated my foggy brain.  I remembered that it was the first day I’d taken a pill from a new refill of one of my prescription anxiety medications.  The pill had looked different than usual, but I hadn’t thought anything of that at the time I took it, knowing that sometimes pills can look different when pharmacies get the medications from different manufacturers.  But now I went back to look at the pill bottle, and took out one of the strange pills.  As I ought to have done that morning, I read the description on the back of the bottle of what the medication was meant to look like.  The description was of a white, round pill, like the one I was used to taking—not the oblong yellow pill I now held in my hand.

At first I mistrusted the evidence of my eyes.  But I carried the mystery drug to my computer and Googled the numbers printed on it.  I felt a thrill strangely like vindication when I saw that the pill I had been given was not only not my usual anti-anxiety medication, but was in fact a serious anti-psychotic drug. (It was also a fairly high dose, I later learned, particularly when combined with my other medications).  I had found the explanation for what I was experiencing, which was a huge relief.  But the discovery also brought a chilling sense of recognition.  As a teenager recovering from anorexia, I’d been put on a medication to keep me calm and compliant.  I think I was on it for about a year.  It wasn’t until I was a college student taking Abnormal Psychology, when I saw that medication listed in my textbook, that I discovered that it was an anti-psychotic.  It was not the same one I had now accidentally been given years later, but it had served a similar purpose.  In sedating me it had leeched my will, my energy, my fighting spirit.  Perhaps that was for the best for me in the long run.  But even now I resent it, and those feelings were churned back up by the familiar enforced lethargy I was now struggling to shake off.

This is no means an attack on psychiatric medicine, which has been invaluable to me for years as I have battled chronic anxiety and depression.  Medications that allow you to be yourself, less prey to the distortions of mental illness, are wonderful things.  But there are also cases in which psychiatric medication is used primarily sap you of self, of will, of control.  The line is a thin one, and differs in every case.  But for me this pharmaceutical mishap was a reminder of a time when I felt that line had been crossed.  In both cases, I had unquestioningly taken what I was given, and was left powerless.    

Within twenty-four hours, the drug had pretty much left my system.  It took a few more hours before my concentration and focus fully recovered.  I soon returned to the pharmacy to exchange the incorrect medication for the correct one.  The pharmacist who had filled the prescription was there, apologetic.  My mother, possibly Earth’s least vindictive person, had nevertheless felt that he should lose his job over this.  But standing in front of him, hearing him apologize, I didn’t know what to say that would be worthwhile.  “I lost a day of my life,” I told him.  He apologized again.  I asked for the number of his manager, which he gave me.  And I left. 

I never called that number.  Nor did I ever put up a negative review on the auto repair shop’s website.  In the case of the pharmacist, I don’t actually want him to lose his job.  I hope he will be more careful, but his actions were accidental.  They also weren’t sexist.  It made no difference that I was a woman and he a man, unless you count the fact that women are more often diagnosed with mental illness, and so are perhaps more likely to be the victims of this kind of mix-up.  The auto mechanic’s actions, on the other hand, were malicious and probably sexist, as he saw a young-ish woman and assumed (sadly, correctly) that he could invent complete falsehoods about her car’s condition and she would believe him.  In both cases, I haven’t pursued any further action—besides writing this article.  Maybe this is due to weakness or laziness, but it’s also due to what was ingrained in me growing up: that I shouldn’t complain, cause a fuss, or stir up trouble.  I can be pretty assertive defending people or causes I care about, but expressing anger on my own behalf still makes me feel uncomfortably like that unpleasant kind of person: shrill, suspicious, impolite, rampaging.  Basically, the stereotype of the angry woman. 

I have written before about being a recovering good girl, and perhaps these two experiences happened to help me on my path.  I don’t intend to become paranoid that everyone is either conning me or incompetent, but I will focus on asserting myself on my own behalf, and reminding myself that doing so is not rudeness but basic justice to myself.  Ladies, let’s look out for ourselves, and, just as importantly, let’s speak up for ourselves.  We don’t have to be helpless in the face of our own anger or in the situations that provoke that anger.  In this one area, I am still working on finding my voice.  And I may also try to learn something about cars.   

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Big Sound Saturdays [Guest Post]: Throwing Caution to the Wind

We are deep into a strange winter in Asheville, my neck of the woods, and it’s about this time of year that we all could use a pick-me-up…a reminder that, yes, the trees will leaf out again and yes!, in a matter of months we will be swimming and grilling. For this particular motivation I’m calling on some angels – specifically, the sassy darlings of 90s pop country – to bring in some light. Whether it’s hitting the open road or getting over some jerk, these ladies belt out the collective message of “I am moving on.”

Ready for an uplifting, fresh start? LeAnn Rimes’ “One Way Ticket (Because I Can)” and Martina McBride’s “The Time Has Come” are both such positive post-breakup songs that have you dreaming about new adventures and forgetting about the past—and the LeAnn Rimes video is pretty great, think pop country meets Clueless. In one of her more upbeat singles of this decade, “How Was I to Know?,” the great Reba McEntire reminds us with her commanding voice to put our faith in ourselves because we are tougher than we know.

“How was I to know I would be this strong, I had what it takes all along…

What I was so afraid of?

Turned out to be my freedom in disguise. Now I know what I’m made of.”

Or would you rather hear a sassier take on moving on? In the karmic “Blame It on Your Heart,” Patty Loveless uses perhaps the most adjectives ever to describe a scoundrel in a song:

“Hey blame it on your lying, cheating, cold deadbeating, two-timing, double dealing, mean mistreating, loving heart.”

Deanna Carter calls bullshit in “Did I Shave My Legs For This?” and harkens back to early (equally sassy) Loretta and Dolly songs that tell their fellas to shape up. And if you had any doubts about if these ladies were serious, Lorrie Morgan tells her man after he took her for granted one too many times, “Cab on the street, Hand on the door, Bag at my feet, Need I say more, Oh, watch me…Oh, just watch me walk away.”

 


The only thing I like more than a feisty “done me wrong” song is one about the escape of the road. Jo Dee Messina’s “Heads Carolina, Tails California” is so dang catchy and seriously has me craving those long summer drives with the windows down. With the same vibe, but a different sound, the late 90s hit from the Dixie Chicks, “Ready to Run,” does the country/pop “crossover” that really took off during that decade.

 

I threw a couple romantic songs onto Throwing Caution to the Wind for good measure, like Pam Tillis’s “Maybe it was Memphis,” a tune about summer love that will have you swooning from her serious powerhouse vocals. And I really couldn’t help putting Mary Chapin Carpenter’s version of Lucinda Williams’ “Passionate Kisses.” I dig a love song that exclaims “Give me what I deserve, ’cause it’s my right.” The finale is Wynonna’s “Girls with Guitars,” to celebrate all these badass artists.

 

These songs tackle heartbreak, call people out, and celebrate the good times with a particular audacious vibe – one of freedom, letting go, and praising your own strengths. So let’s escape this cold winter, channel some of this sass, and imagine throwing your hands up to the sunny skies and singing, a la Faith Hill, “I’m a wild one – runnin’ free!”

 

Keep cozy, y’all. Spring is right around the corner.

Track List:

  1. Faith Hill – Wild One
  2. Patty Loveless – Blame It On Your Lyin’ Cheatin’ Heart
  3. Pam Tillis – Maybe it was Memphis
  4. Jo Dee Messina – Heads Carolina, Tails California
  5. Reba – How Was I to Know?
  6. Shania Twain – Whose bed have your boots been under?
  7. Leann Rimes – One Way Ticket (Because I Can)
  8. Trisha Yearwood – She’s In Love With The Boy
  9. Dixie Chicks – Ready to Run
  10. Deanna Carter – Did I Shave My Legs for This?
  11. Suzy Bogguss – Drive South
  12. Mindy McCready – A Girl’s Gotta Do (What a Girl’s Gotta Do)
  13. Martina McBride – The Time Has Come
  14. Mary Chapin Carpenter – Passionate kisses
  15. Terri Clark – Better Things To Do
  16. Lorrie Morgan – Watch Me
  17. Wynonna – Girls with guitars

 

 

Organization Spotlight: Girls Rock Camp ATL!

Volunteers welcome campers to GRCATL 2015 | Photo courtesy of Girls Rock Camp ATL
Volunteers welcome campers to GRCATL 2015 | Photo courtesy of Girls Rock Camp ATL

I am beyond excited to present this spotlight on an all-around amazing feminist nonprofit organization, Girls Rock Camp! Their work in several cities, including Atlanta, is a perfect example of the positive impact that occurs when empowerment, education, and opportunity go hand in hand. I had the privilege of attending the end-of-camp concert for this past year’s Girls Rock Camp in Atlanta. The energy and excitement made the walls vibrate, and the performances by these young stars-in-the-making were beyond inspiring. It was invigorating seeing so many families and community members (enough to fill the theater and more) come together to celebrate this camp’s efforts toward music education, girls’ empowerment, and of course, ROCK!

Photos courtesy of Girls Rock Camp ATL
Photos courtesy of Girls Rock Camp ATL

I spoke with co-founder/director Stacey Singer about Girls Rock Camp and its mission. Check it out below! Continue reading “Organization Spotlight: Girls Rock Camp ATL!”

Big Sound Saturdays: E Mama Ea (Old-Time Women’s Voices)

I do feel like I’ve tempted fate too long, shying away from the prewar revenants that I love so much, so this mix sits squarely between 1916 and, ok, a little post-war, 1950. E Mama Ea is a mix dedicated to the fact that while “female musicians” is emphatically not a genre, the dexterity, tremor, and occasional audacity of the metaphoric and actual female voice is always, emphatically, worth celebrating.

As is my wont, these songs are mostly American, gospel, blues, and game song-centric. “Rolled and Tumbled” is Rose Hemphill’s rendition of a well-worn delta blues later popularized by fellow Mississippi resident Muddy Waters, recorded here in 1959 by Alan Lomax in the same session that first captured the voice of Mississippi Fred McDowell. The penultimate track, a prewar white gospel number also recorded by Alan Lomax and named, here, “The Airplane Ride”—“The Heavenly Aeroplane” elsewhere—is a wonky paen to God and technology that calls out to the Nugrape Twins’ even wonkier “There’s A City Built Of Mansions,” an ode to the difficulty of thinking through largesse without thinking through capitalism.

And then, the opposite, A.C. Forehand and the delightfully-named Blind Mamie Forehand’s “Honey In The Rock,” sotto voce with triangle. Washboard classic “Worried Jailhouse Blues,” from the voice who immortalized “Some Cold, Rainey Day,” the great Bertha “Chippie” Hill. The robust and quite honestly, kinda sonically phallic talking tuba call-and-response, Sharlie English’s “Tuba Lawdy Blues.” The sweet soft hand-game song, “Little Girl, Little Girl,” recorded here in 1936. Parchman Farm inmate Mary James’ foot-stomping invective, “Make The Devil Leave Me Alone,” backed by a chorus of prisoners in 1939 and collected by the unduly obscure Rosetta Reitz on her Rosetta Records label roughly forty years later.

I’m pleasantly surprised at how intimately these songs sing together, Cleoma Breaux’s Cajun rendering of “When You Wish Upon A Star:” “It’s A Sin To Tell A Lie,” recorded thirteen years before Disney was to release Cinderella, out of Lata Mageshkar and Saraswati Rane’s performance of “Jab Dil Ko Satawe Gham,” which I pulled directly from Sargam, an Indian film from the year 1950. We hear from hot jazz bandleader Thelma Terry (and her Playboys!) two songs after the Turkish “Soyledi Yok Yok,” sung by Neriman Altindag (with both released on separate albums by the deeply hip label Dust-to-Digital). I mined the Ethiopiques archive for Emahoy Tsegué-Maryam Guèbrau’s “Homesickness,” and Florida Atlantic University’s amazing Judaica Sound Archives 78-rpm Sound Collection for turn of the century New York Metropolitan Opera singer Sophie Braslau’s “I Love You Truly.” And still, at the beginning, the piercing “Light In The Valley,” by ladies L. Reed and T.A. Duncans, followed by the perplexing and lovely “E Mama Ea.”

“E Mama Ea” was recorded by Mme. Riviere’s Hawaiians to a 78 rpm disc before the year 1948. Because a prewar Hawaiian music discography doesn’t seem to exist, I can’t find the year of the recording, the label, or the location. I do know that it was first picked up in 1981 by the now-obscure Folklyric imprint, then again by Portland-local Mississippi Records for “I Don’t Feel At Home in This World Anymore” in 2007. Less obscure—though not by much— than the recording details is Madame Riviere, a French woman who formed a band with Hawaiian steel guitarist Tau Moe and his wife, Rose, when she was sent to study in still French-colonized Tahiti in the 1920s. “Ea,” from what I can tell, is multiply-signifying, political at heart: Hawaiian sovereignty, but also breath, respiration, spirit, and rising up, becoming erect and powerful. I wonder if Mme Riviere, a colonizer whose face is lost to us, knew it?

Just don’t do it

UK writer Debbie Cameron *just* has a couple thoughts on pathologizing women’s speech, and the ways in which articles on how to talk in the workplace can reproduce patriarchy in subtle ways. Check out her article!

language: a feminist guide

This week everyone’s been talking about an article in the Economist explaining how men’s use of language undermines their authority. According to the author, a senior manager at Microsoft, men have a bad habit of punctuating everything they say with sentence adverbs like ‘actually’, ‘obviously’, ‘seriously’ and ‘frankly’. This verbal tic makes them sound like pompous bullshitters, so that people switch off and stop listening to what they’re saying. If they want to be successful, this is something men need to address.

OK, people haven’t been talking about that article—mainly because I made it up. No one writes articles telling men how they’re damaging their career prospects by using the wrong words. With women, on the other hand, it’s a regular occurrence. This post was inspired by a case in point: a piece published last month in Business Insider, in which a former Google executive named Ellen Petry Leanse…

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